IIIThe craft

Aged slowly,
by hand.

Four rooms, nine people, and a rule that has not changed since 2014: nothing leaves before it is ready, and readiness is not a date on a calendar.

Grasse
Four rooms, nine hands
I

Sourcing

Eleven growers, most of them for a decade. We buy the harvest, not the year.

II

Blending

Batches of forty litres. Every formula is weighed by hand and signed by whoever weighed it.

III

Resting

Eighteen months minimum in oak, in a cellar we do not heat. Some casks take three winters.

IV

Bottling

Hand-blown crystal, filled and stoppered in the room next to the cellar, sealed with a wax signet.

Oil and pigment during maceration
Maceration · the first fortnight
Why oak

Time is
an ingredient.

Alcohol and oil do not become one thing quickly. Left alone in wood, the sharp top notes drop away and what remains is rounder, quieter and far more itself.

An unrested perfume announces its ingredients one at a time. A rested one arrives as a single idea. That difference costs us eighteen months and cannot be bought back any other way.

We do not filter afterwards. A little sediment is the proof.

Oak cask surface

We are not slow because it is romantic. We are slow because it works.

— Elise Ravel, founder